Seaside Resort as Entrapment and Escape in British Cinema
نویسندگان
چکیده
British cinema has portrayed seaside resorts throughout its history with much dedication. Films featured both residents and visitors, the providers consumers of experience decade after by focusing on synergies between space identity. This article explores Brighton Rock (John Boulting, 1948), The Entertainer (Tony Richardson, 1960), Birthday Party (William Friedkin, 1968), Quadrophenia (Franc Roddam, 1979), Bhaji Beach (Gurinder Chadha, 1993), Last Resort (Pawel Pawlikowski, 2000) as representative examples how motifs escape entrapment—as manifested in pursuit various imaginations, ideals, rites passage identity quests—changed through decades that also saw a gradual decline popularity resorts. fading reputation eroding image is analyzed parallel crises characters entrapped subcultural, diasporic, migrant environments. (ZsGy)
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ژورنال
عنوان ژورنال: Hungarian journal of English and American studies /
سال: 2021
ISSN: ['2732-0421', '1218-7364']
DOI: https://doi.org/10.30608/hjeas/2021/27/1/6